Netflix India announces it's slate for the 2026, the stars of the show and films walk the red carpet for the event. Take a look.
Sunny Deol. Akshaye Khanna. Anil Kapoor. Madhuri Dixit. Saif Ali Khan. Manoj Bajaypee. Netflix's 2026 slate packs a starry punch.
In part 3 of a Rediff series exploring new careers for aspiring professionals, Sanjay Salunkhe, founder of Jaro Education highlights how young professionals can adapt to the evolving AI-driven landscape in the creative industry.
Glory juggles its whodunit goals and estranged father-son equation across a hoard of suspects and unreliable allies. The upshot is uneven yet watchable because of the talent on board, notes Sukanya Verma.
Dhurandhar releases on Netflix on January 30.
Riddhima Kapoor Sahni, Neetu Singh and Rishi Kapoor's daughter, is making her acting debut at 46, joining a list of actors who took their sweet time to be bitten by the acting bug.
'Cinema is such a powerful medium. It is not just the emotional impact, but some of these films are so strong that your entire body cannot help but react.'
'We want to become India's topmost integrated studio, working in different languages.'
As Nicole Kidman delivers yet another impressive performance in the OTT series Scarpetta, we explore some of her other compelling movies and shows.
The Devil Wears Prada is getting a sequel in 2026, and reminding us how Bollywood has consistently delivered films and shows that are not just memorable entertainers but also major trendsetters in fashion.
An Indian AI Research Organisation official says India has adopted a balanced and pragmatic approach to AI regulation, avoiding the extremes of the US and EU models.
If the stories are food for the mind then our digestive system has changed. If they are a piece of art, our gaze has altered. This calls for a change not in stories, but in the grammar of storytelling so that it can cut through the deluge and gluttony and force people to savour, appreciate and re-visit it. That is what the creators of Taskaree or Dhurandhar are trying, points out Vanita Kohli-Khandekar.
The Supreme Court has disposed of a plea against the Netflix film 'Ghooskhor Pandit' after filmmaker Neeraj Pandey withdrew the title and promotional material. The court acknowledged Pandey's affidavit and expects the controversy to be resolved.
Discover the latest OTT releases, streaming in the month of March.
Nikkhil Advani, a master of long-form storytelling, reflects on Freedom At Midnight and what it was to make a two-part series on the most difficult period of India's history in these polarised times.
'People want to limit you, but you can be different things all at once.'
LIK: Love Insurance Kompany is an ambitious film for its setting, but underscores in both the romance and the humour departments. The world-building is vibrant, the ideas are relevant, but the storytelling lacks the depth and conviction needed to bring them together meaningfully
'The moment some news comes where somebody is accused of some crime, we are so quick to judge that person and call them a criminal, if that person is a very unlikable person. If we like that person, we immediately absolve her.'
'The story of Ghooskhor Pandat focuses on an individual's actions and choices and does not comment on or represent any caste, religion, or community. As a filmmaker, I approach my work with a deep sense of responsibility -- to tell stories that are thoughtful and respectful.'
The Supreme Court has raised concerns over the title of the film 'Ghooskhor Pandat', questioning its potential to denigrate a section of society. Notices have been issued to relevant authorities.
Before Dhurandhar: The Revenge releases, let's take a look at Aditya Dhar's remarkable journey from being an assistant director to helming India's most successful film.
Accused's greatest lure is its queer couple at the centre of storm but by sidestepping their camaraderie for polite affection, the drama does itself immense disservice, observes Sukanya Verma.
Made in Korea had the potential to be a culturally rich coming-of-age story but settles for a generic template with an underdeveloped location setting, notes Sreeju Sudhakaran.
'Kartavya is a story of a cop in a situation where both the outside world and the inside world are collapsing.'
If we, as an audience, are mature enough to dissect facts from fiction, and propaganda from creative storytelling, the director and technical team deserve full credit for putting together an entertaining masala film that deserves a sequel, notes Divya Nair.
The seventh edition of Bengaluru GAFX, a major AVGC-XR conference and exhibition, will be held from February 27, showcasing advancements in animation, visual effects, gaming, comics, and extended reality.
In 2025, OTT series were entertaining enough, even though most were in the crime genre.
The competition invites creators aged 18 to 25 to reimagine India's cultural heritage through superheroes, drama, fantasy, or any genre that captures the spirit of Indian storytelling.
World champion D Gukesh drew with Hans Moke Niemann in the first round of the Prague International Chess Festival.
The first 25 years in this century has seen some amazing films and blockbusters in Hollywood. Girish Wankhede lists the top-grossing Hollywood movies from 2001 to 2025, focusing on the key qualities that resonated with Indian audiences and contributed to its appeal.
You can watch some of the Oscar nominated films on OTT.
'I want to show bearded men actually caring and loving for their sons or a woman from Pakistan in a position of power. How radical is that?'
Discover the latest OTT releases, streaming between February 23 and March 1.
The Union Budget backs skilling across animation, gaming and comics. But creators and studios confront a hard question: who owns what comes next?
Over 25 years, societies evolve and tastes change. Cinema absorbs and reflects this transformation. Picking only 25 films from the first quarter of the century is tough.
January has a rich slate of web series and movies on the OTT platform. Joginder Tuteja gives us a quick look.
Big films like Dhurandhar, Chhava and Kantara: Chapter 1 hit box office gold in 2025, and its directors, Aditya Dhar, Laxman Utekar and Rishab Shetty, have proved their worth. But many other directors made an impact with their 2025 releases, in various languages.
'For us as it was for Judit it was never a men's world; it was always study, analyse, study, analyse and be confident,' recalls Woman International Master Jayashree Khadilkar Pande.
'If you are trying to tell an authentic Punjab story, it's almost impossible that the NRI fascination or the NRI characters will not be a part of it.'
Karan Wahi breaks his silence over wedding rumours with Jennifer Winget.
© 2026 Rediff.com - Advertise with us - Disclaimer - Privacy Policy - Sitemap - Feedback - About us - Terms of use - Grievances